B Movies Blog

Note: Check back for updates as new content is announced!

January 2026

January 2 – We Bury The Dead (Theaters)

January 6 – Will Trent (ABC, Next day Hulu)

January 8 – The Traitors (Peacock)

January 8 – His & Hers (Netflix)

January 9 – People We Meet On Vacation (Netflix)

January 9 – Sleepwalker (Theaters)

January 9 – Primate (Theaters)

January 16 – Night Patrol (Theaters)

January 16 – 28 Years Later: The Bone Temple (Theaters)

January 21 – The Beauty (FX, Next day Hulu)

January 21 – Queer Eye (Netflix)

January 22 – Finding Her Edge (Netflix)

January 23 – Return to Silent Hill (Theaters)

January 28 – School Spirits (Paramount+)

January 28 – Shrinking (Apple TV+)

January 30 – Good Luck, Have Fun, Don’t Die (Theaters)

January 30 – Iron Lung (Theaters)

January 30 – Send Help (Theaters)

February 2026

February 6 – The Strangers: Chapter 3 (Theaters)

February 6 – Dracula (Theaters)

February 6 – Pillion (Theaters)

February 6 – Whistle (Theaters)

February 8 – The ‘Burbs (Peacock)

February 13 – “Wuthering Heights” (Theaters)

February 13 – GOAT (Theaters)

February 13 – Nirvanna the Band the Show the Movie (Theaters)

February 18 – 56 Days (Prime)

February 20 – This is Not a Test (Theaters)

February 25 – Scrubs (ABC, next day Hulu)

February 27 – Scream 7 (Theaters)

March 2026

March 5 – Ted (Peacock)

March 6 – The Bride (Theaters)

March 6 – Peaky Blinders: The Eternal Man (Theaters, Netflix on March 20)

March 11 – Scarpetta (Prime)

March 18 – Imperfect Women (Apple TV+)

March 20 – Project Hail Mary (Theaters)

March 27 – Ready or Not: Here I Come (Theaters)

March 27 – Fantasy Life (Theaters)

March 27 – They Will Kill You (Theaters)

April 2026

April 3 – The Drama (Theaters)

April 8 – The Boys (Prime)

April 10 – Malcolm in the Middle (Hulu)

April 15 – Margo’s Got Money Troubles (Apple TV+)

April 17 – The Mummy (Theaters)

April 17 – Normal (Theaters)

May 2026

May 1 – The Devil Wears Prada 2 (Theaters)

May 1 – Hokum (Theaters)

May 15 – Obsession (Theaters)

May 22 – I Love Boosters (Theaters)

June 2026

June 12 – Scary Movie 6 (Theaters)

June 19 – Toy Story 5 (Theaters)

July 2026

July 12 – Disclosure Day (Theaters)

July 17 – The Odyssey (Theaters)

August 2026

August 21 – Insidious: The Bleeding World (Theaters)

August 28 – The Dog Star (Theaters)

August 28 – Coyote vs. ACME (Theaters)

September 2026

September 11 – Sense and Sensibility (Theaters)

September 18 – Practical Magic 2 (Theaters)

September 18 – Play House (Theaters)

September 18 – Resident Evil (Theaters)

October 2026

October 1 – Terrifier 4 (Theaters)

October 2 – Digger (Theaters)

October 9 – Other Mommy (Theaters)

October 16 – Street Fighter (Theaters)

October 23 – Remain (Theaters)

November 2026

November 20 – The Hunger Games: Sunrise on the Reaping (Theaters)

December 2026

December 18 – Avengers: Doomsday (Theaters)

December 18 – Dune: Part Three (Theaters)

December 25 – Werewulf (Theaters)

Hello, Movie Mavens! Welcome back to the B Movies Blog. Today, we’re popping haunted attraction content into the ol’ VCR.

My spooky friends, we’re so close to October that I can almost taste it. 

I know it’s only the first week of September, but work with me here. 

As most of you know, I start decorating in September, so it’s already the beginning of spooky season in my book. 

And what better way to continue heralding in the best time of the year than with more horror content?

I officially kicked off my Halloween watch list (not to be confused with Nightmare on Film Street’s annual 31-Day Horror Challenge that I participate in) this week with the first two entries in the Hell House LLC franchise. 

That’s when the ol’ creative bug bit me, and I thought that I could recommend some of my favorite haunted attraction content. 

Now, as always, let’s start with the criteria… 

All of these movies take place at some sort of event that’s either haunted or has some sort of paranormal element. 

I’m also including some of our favorite waxy watches because I think they totally count. 

I’m even throwing in a couple of shows for you, in case you’re feeling super frisky. 

Alrighty, that should do us for introductions and disclaimers. 

Without further ado, here are 11 pieces of haunted attraction content that’ll make you wish you would’ve kept driving down the highway: 

• Haunt
• Hell Fest 
• Dark Ride 
• Blood Fest
• Tourist Trap
• Crazy Fun Park 
• Hell House LLC 
• House of Wax (2005) 
• The Houses October Built
• House on Haunted Hill (1959)
• Channel Zero: No-End House

Hello, Movie Mavens! Welcome back to the B Movies Blog. Today, we’re popping the horror content I’m looking forward to into the ol’ VCR.

I don’t know about y’all, but I’m downright giddy that it’s fall/spooky season. 

Some may argue that it’s still a bit early for both, but I don’t need that kind of negativity in my life. 

I thought something that might be fun to post ahead of our fall products blog is a piece about all of the horror content I’m looking forward to in the next few weeks. 

Now remember, I’m writing this early, so there’s a chance there might be other things I’m excited for, so if anything is announced after September 3 and sounds like something I’d be excited for, don’t panic. 

I promise we’ll talk about it sometime/somewhere else. 

I’ll also add trailers to this piece as they come out. 

Alrighty, that should do us for disclaimers and introductions. 

Without further ado, here’s some of the upcoming horror content I’m excited for this September and October: 

Grotesquerie (September 25 – FX, Next Day Hulu) 

Video source: FX Networks

Never Let Go (September 27 – Theaters) 

Video source: Lionsgate Movies

V/H/S Beyond (October 4 – Shudder) 

Video source: Shudder

Scare Tactics (October 4 – USA/SyFy/E!) 

Video source: USA Network

Killer Cakes (October 8 – Prime) 

No Trailer Yet 😦 

Teacup (October 10 – Peacock) 

Video source: Peacock

Terrifier 3 (October 11 – Theaters)

Video source: Movie Trailers Source

What We Do In The Shadows (October 21 – FX, Next Day Hulu) 

No Trailer Yet 😦 

Your Monster (October 25 – Theaters) 

No Trailer Yet 😦

Hello, Movie Mavens! Welcome back to the B Movies Blog. Today, we’re popping P.T. into the ol’ VCR.

I was trying to figure out how we should celebrate the beginning of fall/the unofficial start of spooky season, and it finally clicked with me—we should revisit an old horror favorite. 

We all know I don’t like playing video games, but I love to watch other people play them. 

Fortunately, I got to see P.T. be played, in its entirety, IRL. 

To set the scene, it was my 22nd birthday, and I had a bit of a stomach bug. 

So, some friends decided to host a little movie/game night for me because I didn’t really feel like doing anything major. 

And, friends, that just so happened to be right around the time P.T. was released. 

Now, this group of friends really wasn’t into horror like I was/am, but they took one for the team and decided to play through P.T. 

And, boy howdy, what a delight it was. 

“Mom, I threw up” 

For those unfamiliar, P.T. (short for Playable Teaser) was the backdoor teaser for a new Silent Hill game from Hideo Kojima and Guillermo del Toro called Silent Hills. 

P.T. was dropped into the PlayStation store on August 12, 2014 with no explanation, leaving players to uncover the mystery for themselves. 

To give you a brief recap of the plot, your character wanders aimlessly through a haunted-as-hell house as you try to hide from Lisa, your friendly neighborhood murderous spirit, and repeats the same loop over and over as you solve various puzzles. 

However, the loop gets scarier and scarier, and you purposely get got at times. 

There’s also a creepy, monologuing fetus monster that hangs out in the bathroom sink, and you may not know this about me, but I have a weird thing about creepy voices. 

As in, the creepy fetus monologues in P.T. are the parts that bothered me the most. In fact, the whole “Dad was such a drag” bit STILL makes my skin crawl. 

Don’t try to figure out why; it’ll break your brain. 

Moving on. 

Don’t let the Windows background scenery fool you; this game was scary as hell 

P.T. was masterfully executed, and it successfully gained a lot of hype for Kojima’s new game (if you didn’t get jazzed when Norman Reedus walked out of the shadows at the end, I don’t know what to tell you). 

Unfortunately, the road to the creation/development of Silent Hills was wrought with obstacles, leading to its cancellation. 

I believe that P.T. is one of the best horror games, and I’m bummed that it’s no longer available to download. 

So, um, if you have a PS4 that has P.T. downloaded, you should hit a girl up. 

Hello, Movie Mavens! Welcome back to the B Movies Blog. Today, we’re popping Evil into the ol’ VCR. 

A few months ago, I was struggling to find something to watch. 

As I mindlessly scrolled through the streamers, I stumbled across Evil and decided to get it a whirl. 

And, when I tell you that we’ve all been sleeping on this show, I mean that we’ve all been sleeping on this show. 

For those unfamiliar with the series, here’s a quick rundown: 

Evil follows Dr. Kristen Bouchard (Katja Herbers), Father David Acosta (Mike Colter), and Ben Shakir (Aasif Mandvi) as they investigate various occurrences to determine if they’re paranormal or not. 

Kristen also has four precocious daughters, a well-intending but morally-questionable mother, and an absentee husband, who all play pivotal roles throughout the series. 

There’s also my favorite character, Sister Andrea, played by Andrea Martin, who horror fans will recognize for her roles in both Black Christmas (1974) and Black Christmas (2006), among a plethora of other credits. 

Now, Evil could easily just play into the idea of believer (David) vs skeptic (Kristen and Ben), but it’s so much more than that. 

There’s a lot of dark comedy, INCREDIBLE practical effects, and great writing. 

Sure, there’s a little bit of cheese and melodrama at times, but it comes in very small doses. 

I also love that there’s a balanced perspective on religion; you don’t feel like any ideas are shoved down your throat. 

While I love this show, I do have to be honest and tell you that it was canceled, and the finale just dropped a few days ago. 

But, on the flip side, the entire series is now available to stream on Paramount+, so I guess that’s a positive?

I would also be remiss if I didn’t mention the cheeky subtitles that pop up during the intro. 

They’re meta and sassy, and I would recommend not skipping the intro just to read them all. 

This isn’t really something I’ve seen on steamers before, and I give them major props for doing this.

Evil, IMO, is definitely underrated. 

Like, so underrated it’s almost…evil. 

There are a TON of horror references throughout the series, and as a horror fan, I’m bummed that I didn’t find it sooner. 

It’s a great show to binge on the weekends or if you can’t decide what to watch next. 

I also definitely recommend watching the BTS clips whenever they’re available because it’s really, really cool to watch how some of these creatures were brought to life. 

Especially the possessed pig. 

Yes, I’m serious.

Hello, Movie Mavens! Welcome back to the B Movies Blog. Today, we’re popping the work of Annie Murphy into the ol’ VCR.

On December 19, 1986, Anne Murphy was born, but you probably know her better as Annie Murphy. 

Annie Murphy was born and raised in Ottawa, Canada. 

I couldn’t find a lot of info about her childhood/teen years, but like many of the other subjects of our spotlights, she acted in high school productions. 

Annie Murphy would go on to graduate from the Theatre Performance Program at Concordia University, and then train at the Canadian Film Centre Actors’ Conservatory. 

Her first film was a made-for-TV movie in 2007 called Lethal Obsession, and, over the next few years, Annie Murphy would continue to land small roles in various Canadian and American films and TV shows. 

Then, in 2013, Annie Murphy landed the iconic role of Alexis Rose on a little show called Schitt’s Creek. 

In my research, I actually found that her house burned down right before her audition, and she was about to give up on acting forever when she booked Schitt’s Creek, and it makes me love and respect her even more. 

Since then, her career has been on the rise, including starring roles in episodes of Black Mirror, landing the lead role in Kevin Can F**k Himself, and a recurring role on the second season of Russian Doll. 

Additionally, I didn’t know where to put this factoid, but Annie Murphy has a silhouette of Jimmy Stewart tattooed on her wrist because she considers his performance in Harvey to be one of her big influences. 

There’s not much more that I can say about Annie Murphy that hasn’t already been said. 

Annie, if you ever read this, thank you. 🖤

Without further ado, here’s some of my favorite Annie Murphy content: 

• Murderville 
• Black Mirror
• Russian Doll 
• Praise Petey
• Schitt’s Creek 
• Kevin Can F**k Himself

It feels weird not to start this piece with our traditional intro, but it just doesn’t feel right to add it, either. 

I have several disclaimers and CW/TWs to go through on this one, so bear with me. 

First and foremost, CW/TW for r*pe, SA, SV, and all like topics. 

Secondly, I’m going to have to spoil both of these movies to talk about the parts that bothered me. I’ll give you a warning/page jump as usual. 

Thirdly, I want to be clear that I’m just a silly goose who writes about pop culture on the internet, but I just couldn’t shake my issues with one of these movies. 

I feel like I’m in the minority on the parts that bothered me, but, for some reason, I feel compelled to share my thoughts. 

Finally, I want to throw out my trademark disclaimer here: 

Just because I don’t like a movie doesn’t make it bad, and just because I like a movie doesn’t make it good. Making a movie is hard and terrifying, and I give mad props to everyone on the cast and crew for doing it. 

Alrighty, let’s dive in. 

Last weekend, I unknowingly put myself into a double feature that shared some similar themes. 

If I can tell a movie is going to have twists and turns, I try to go in with as little information as possible, and that’s what I did with both Blink Twice and Strange Darling. 

While these movies are two completely different beasts, I feel like they have some similar themes that are portrayed in different ways and through different lenses. 

I also think it’s worth noting that Blink Twice was directed and co-written by Zoe Kravitz, who is a woman, and Strange Darling was directed and written by JT Mollner, who is a man. 

I know that some of you probably groaned because you think you know where this is going, but keep reading. 

Before I start breaking these movies down, I want to be honest… 

I’ve been extremely fortunate in my life to have never experienced any SV, and I have never been r*ped or SA’d. 

Therefore, I’m not here to speak on behalf of any of those who have. 

I can only speak to why some things in Strange Darling bothered me personally. 

I can also discuss how I enjoyed Blink Twice, but for those who have experienced the heinous things depicted in the film, it might be inaccurate or triggering or offensive. 

Again, I’m only speaking from my personal opinions. 

Fair warning, I’m about to get into spoilers. Skip to the paragraph starting with “I could absolutely[…]” to avoid them.

In my opinion, Blink Twice is a solid installment of Good-for-Her horror. 

I thought the humor was balanced where it should be and didn’t undercut the horrors that the women experienced on the island. 

I believe it did a good job portraying how sometimes women in power are just as dangerous as men and/or can be just as guilty of victim shaming without villainizing all women/femme-presenting peeps. 

Lastly, I thought the themes of wanting to forget trauma/forcing others to forget trauma were powerful and illustrated how victims of SA and r*pe are often told to “let it go” or to “move on.” 

Again, I’ve never experienced either of those things, and I’m only speaking from things I’ve seen and heard in interviews and documentaries, as well as from people I know who have been through it. 

However, on the flip side, I think there are a couple of spots where Strange Darling could’ve done better. 

Before I get into the parts that bothered me, I want to say that there were things in Strange Darling that I did enjoy. 

I think there are genuinely funny scenes. 

I love the nonlinear way the story is told. 

Hell, I love the overall concept. 

But, there are a few scenes/pieces of dialogue that keep this movie from getting my approval. 

The first thing that bothered me was a piece of dialogue between The Lady (Willa Fitzgerald) and The Demon (Kyle Gallner). 

When they’re having a conversation about consent, The Lady makes a comment about how even if “[she says] no, it means yes.” 

Now, I totally respect if two consenting adults want to engage in rough sex/role play and keep an open line of communication amongst themselves. 

But, I do think it’s a dangerous line to throw out because consent CAN change. 

Yes can become no, even if you’ve consented before. 

And, to be fair to JT Mollner, The Lady does tell The Demon this exact thing when he begins to put handcuffs back on her in a previous scene. 

I don’t know how to feel about that scene, though, because it first appears that The Demon is trying to SA her/begins engaging in SV, only for us to find out that this is role play that he and The Lady both consented to. 

It’s a gray area for me because it’s initially presented as non-consensual, so I’ll let y’all make the call on this one. 

The other scene that really bothers me in Strange Darling happens toward the end of the film. 

After the big reveal of The Lady* actually being the serial killer and The Demon* being her attempted victim, The Demon finally tracks her down and handcuffs her to the freezer she was hiding in. 

*For context, we find out that her serial killer moniker is The Electric Lady and that he’s called The Demon because The Lady sometimes sees demons instead of people, hence why she kills them. 

After The Lady kills The Demon, and she hears the cops arrive, she pulls down her pants and underwear to emulate r*pe. 

A male and female cop arrive on the scene as The Lady screams and cries. 

The male cop says that they need to figure out what’s going on before unlocking her handcuffs, but the female cop immediately begins comforting The Lady and tells her partner that it’s clear what happened. 

This scene bothers me for a couple of reasons. 

First and foremost, I don’t like the “cry wolf” connotation of this scene. 

I believe the vision here was to further villainize The Lady by showing that she’s willing to stoop to new lows to avoid capture. 

However, I think there are other ways the same idea could’ve been conveyed without this connotation. 

Secondly, I don’t like how they show a male cop operating from a place of rationality while the female cop operates from a place of emotionality. 

We should absolutely believe victims. 100%. 

But, the way the female cop reacts is a bit demeaning. 

It also rubs me the wrong way for her to believe that The Lady was r*ped, only to be proven wrong. 

The whole thing just doesn’t sit right with me. 

Now, do I believe that JT Mollner had any malicious intent with these scenes? 

I don’t. 

I think these scenes were meant to drive home how brutal The Lady is/was. 

However, I also don’t know JT Mollner’s background or history, so I don’t want to speculate about his experiences. 

He might have done a lot of research and/or know victims of r*pe or SA that weren’t triggered by this scene or the writing. 

And, to be honest, I have to say the same for Zoe Kravitz. I don’t know her background and history. 

Again, this is just how those scenes made ME feel. 

I could absolutely be in the minority here, but, as a reviewer, it’s my role to give my honest assessment of a movie. 

And my honest assessment is that those scenes really bothered me. 

I’d like to drive this point home one more time: I’ve never experienced the horrific things  depicted in Blink Twice or Strange Darling. 

These movies may be triggering or offensive to those who have, so I highly suggest looking up CWs and TWs before watching either movie. 

Blink Twice also has a disclaimer at the beginning of the film, and I wouldn’t take it lightly. 

Additionally, I don’t want to overlook the fact that men/masculine-presenting peeps are also victims of SA, SV, and r*pe. 

I don’t really know how to end this one, so I’m going to end it with some resources. 

Take care of yourselves out there, and take care of each other whenever and wherever you can. 

• National Sexual Assault Hotline
• National Sexual Violence Resource Center (NSVRC)
• Sexual Assault Kit Initiative Resources for Survivors
• National Domestic Violence Hotline

Hello, Movie Mavens! Welcome back to the B Movies Blog. Today, we’re popping Nanalan’ into the ol’ VCR. 

If you’re anything like me, you’ve become obsessed with the world of Nanalan’. 

Mona and Russer are both BIG MOODS, and watching all of the reels, lives, and episodes of Nanalan’ brings me unparalleled joy. 

If you’re unfamiliar with Nanalan’, let me give you a little primer (hate the movie, but love the word). 

Nanalan’ is a children’s show that focuses on three-year-old Mona, who stays with her Nana while her mother works. 

Nana teaches Mona various life lessons with the help of her Jack Russell Terrier, named Russell, who Mona calls “Russer.” 

Nana’s neighbor, Mr. Wooka, also puts on puppet shows in his backyard for the trio that usually align with the theme of the episode. 

The vibe I bring to the function

Nanalan’ started all the way back in 1999 with its creators, Jamie Shannon and Jason Hopley, voicing Mona and Nana, respectively. 

Much like The Adventures of Pete & Pete, the series began as a series of shorts that would eventually turn into a season of full-length episodes. 

Unfortunately, it seemed as though Nanalan’ would be lost to the masses mid-aughts, as a result of Nickelodeon passing on another season. 

The crazy part is, it was well-received by critics. 

Heck, it even won two Gemini Awards. 

But, as we know all too well, networks sometimes don’t listen to critics and/or viewers and get cancellation happy. 

The good news is, this story has a happy ending. 

If this image doesn’t thaw your cold, dead heart, I don’t know how to help you 

Nanalan’ saw a massive resurgence in popularity at the end of 2023, thanks to TikTok. 

And, honestly, the rest is history. 

Nanalan’ is all over social media, and the creators have reprised their roles for Instagram Lives and Reels. 

The Nanalan’ YouTube channel drops shorts and full-length episodes weekly. 

Nanalan’ has even reached the likes of Hot Topic, and I’ve never bought a shirt so quickly in my entire life. 

I think Nanalan’ made a resurgence when we needed it most. 

The world is horrifying, and if the puppets of a little green girl, her grandmother, and a saucy Jack Russell Terrier are bringing us joy, I say we embrace it. 

Hello, Movie Mavens! Welcome back to the B Movies Blog. Today, we’re popping DíDi into the ol’ VCR. 

When I saw the trailer for DíDi, I immediately added it to my list. 

I love coming-of-age movies, and I figured that, at worst, it would simply be a fun watch. 

However, I’m pleased to say that it’s going to be an honorable mention on my favorite movies of 2024 list. 

This movie encapsulates the zeitgeist of 2008 so well, down to the Hot Topic shirts and social media. 

It’s also not just a movie; it’s a love letter to kids who were trying to find themselves while navigating the difficulties of adolescence and a complicated home life. 

But first, let me back up. 

For those unfamiliar with this movie, DíDi follows Chris (Izaac Wang) through the summer of 2008, aka his last summer before high school. 

DíDi really hit me hard because during the summer of 2008, I was right between Chris and his sister, Vivian’s (Shirley Chen), ages. 

I was going into my junior year of high school and thought I knew everything, so I was par for the course. 

Additionally, I know what it’s like to grow up in a complicated household. 

But, my personal connection to the material aside, Dìdi is just a really good movie. 

Not only are Izaac Wang and Shirley Chen wonderful, but I can’t rave about Joan Chen’s performance as their mother enough. 

There are multiple scenes throughout this movie where she either monologues or is in a heated conversation with Nai Nai (Zhang Li Hua), her mother-in-law/the kids’ grandmother, that are Oscar worthy. 

I know that coming-of-age movies all tend to have some sort of vulnerable moment(s), but Dìdi is raw in a way that we don’t see all that often. 

It also doesn’t just focus on the kids of the movie; we get direct insight into their mother’s vulnerabilities as well. 

Chungsing (Joan Chen) is trying to raise two kids while her husband works overseas. 

Her mother-in-law lives with them and constantly criticizes her every move (which I also saw growing up, as both of my grandmothers were harsh to KP). 

She’s an aspiring artist but can never seem to gain any traction in her career. 

She’s not the two-dimensional mother who only lives in the kitchen and says, “You kids have fun!” 

Chungsing is also trying to find herself and navigate adulthood, just like Chris is with adolescence. 

Now, my one complaint with Dìdi is that there are several gay jokes and instances of the f slur. 

I understand this was commonplace in 2008, but I don’t know if we necessarily need to emphasize/revisit that part of the past. 

Overall, Dìdi is a wonderful coming-of-age film. 

If you enjoy the likes of Eighth Grade, definitely check this one out. 

P.S. Major shoutout to Alamo Drafthouse for including Nathan Fielder’s YouTube video, “dance,”  in their preshow because I forgot it existed. 

Hello, Movie Mavens! Welcome back to the B Movies Blog. Today, we’re popping more cult-classic cartoons into the ol’ VCR. 

After the second entry of Drawing A Blank, I went down a big ol’ rabbit hole. 

That means we’re not only back with a third edition of Drawing A Blank, but, at the rate I’m going, there will be at least two more. 

Hold for applause. 

We have some fun ones today, and I’m so excited to share them with you (and listen to a bunch of theme songs I haven’t heard in years). 

Alrighty, that should do us for introductions 

Without further ado, here are 10 cult-classic cartoons that’ll make you crave a Snapple Rain and Kudos bar: 

Ace Ventura, Pet Detective

Video source: blaa6

Mary-Kate and Ashley In Action!

Video source: Dalton Barron 

Street Sharks 

Video source: SkullyTheHypnoSkull

Bobby’s World 

Video source: Give Me My 80s Cartoons

101 Dalmatians: The Series

Video source: Disney Television Animation News

Taz-Mania 

Video source: FungManHin

Little Bear 

Video source: Little Bear – Official

Franklin 

Video source: RebelToonz

My Life as a Teenage Robot 

Video source: Nicktoons

Teamo Supremo 

Video source: GalaxyUnicorn

Hello, Movie Mavens! Welcome back to the B Movies Blog. Today, we’re popping coming-of-age movies into the ol’ VCR. 

Picture it… 

You and your friends discover a body or start a small business right as you enter your teenage years. 

Through these shared experiences, you and your friends feel like conquering adolescence can be possible. 

However, you might also experience some conflicts along the way. 

There are also a lot of firsts… first kisses, first heartbreaks, and first…divorced parents. 

But, by the time the credits roll, you feel like you’ve all grown together, even though only a short time has passed. 

That’s right, friends. 

We’re talking about coming-of-age movies. 

Whether you love ‘em or hate ‘em, we’re still going to recommend some. 

So, grab your best friends and bikes, and pray you are blessed with a good actor to play the adult version of you narrating the story. 

Without further ado, here are 10 movies to watch after realizing that we’ll never be the same after that summer: 

• My Girl 
• Boyhood 
• Lady Bird 
• Booksmart 
• The Sandlot 
• Stand By Me 
• Eighth Grade 
• Spontaneous
• Now and Then 
• The Baby-Sitters Club