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What’s On? – A Master Content Calendar For Your Bookmarks
Note: Check back for updates as new content is announced!
January 2026
January 2 – We Bury The Dead (Theaters)
January 6 – Will Trent (ABC, Next day Hulu)
January 8 – The Traitors (Peacock)
January 8 – His & Hers (Netflix)
January 9 – People We Meet On Vacation (Netflix)
January 9 – Sleepwalker (Theaters)
January 9 – Primate (Theaters)
January 16 – Night Patrol (Theaters)
January 16 – 28 Years Later: The Bone Temple (Theaters)
January 21 – The Beauty (FX, Next day Hulu)
January 21 – Queer Eye (Netflix)
January 22 – Finding Her Edge (Netflix)
January 23 – Return to Silent Hill (Theaters)
January 28 – School Spirits (Paramount+)
January 28 – Shrinking (Apple TV+)
January 30 – Good Luck, Have Fun, Don’t Die (Theaters)
January 30 – Iron Lung (Theaters)
January 30 – Send Help (Theaters)
February 2026
February 6 – The Strangers: Chapter 3 (Theaters)
February 6 – Dracula (Theaters)
February 6 – Pillion (Theaters)
February 6 – Whistle (Theaters)
February 8 – The ‘Burbs (Peacock)
February 13 – “Wuthering Heights” (Theaters)
February 13 – GOAT (Theaters)
February 13 – Nirvanna the Band the Show the Movie (Theaters)
February 18 – 56 Days (Prime)
February 20 – This is Not a Test (Theaters)
February 25 – Scrubs (ABC, next day Hulu)
February 27 – Scream 7 (Theaters)
March 2026
March 5 – Ted (Peacock)
March 6 – The Bride (Theaters)
March 6 – Peaky Blinders: The Eternal Man (Theaters, Netflix on March 20)
March 11 – Scarpetta (Prime)
March 18 – Imperfect Women (Apple TV+)
March 20 – Project Hail Mary (Theaters)
March 27 – Ready or Not: Here I Come (Theaters)
March 27 – Fantasy Life (Theaters)
March 27 – They Will Kill You (Theaters)
April 2026
April 3 – The Drama (Theaters)
April 8 – The Boys (Prime)
April 10 – Malcolm in the Middle (Hulu)
April 15 – Margo’s Got Money Troubles (Apple TV+)
April 17 – The Mummy (Theaters)
April 17 – Normal (Theaters)
May 2026
May 1 – The Devil Wears Prada 2 (Theaters)
May 1 – Hokum (Theaters)
May 15 – Obsession (Theaters)
May 22 – I Love Boosters (Theaters)
June 2026
June 12 – Scary Movie 6 (Theaters)
June 19 – Toy Story 5 (Theaters)
July 2026
July 12 – Disclosure Day (Theaters)
July 17 – The Odyssey (Theaters)
August 2026
August 21 – Insidious: The Bleeding World (Theaters)
August 28 – The Dog Star (Theaters)
August 28 – Coyote vs. ACME (Theaters)
September 2026
September 11 – Sense and Sensibility (Theaters)
September 18 – Practical Magic 2 (Theaters)
September 18 – Play House (Theaters)
September 18 – Resident Evil (Theaters)
October 2026
October 1 – Terrifier 4 (Theaters)
October 2 – Digger (Theaters)
October 9 – Other Mommy (Theaters)
October 16 – Street Fighter (Theaters)
October 23 – Remain (Theaters)
November 2026
November 20 – The Hunger Games: Sunrise on the Reaping (Theaters)
December 2026
December 18 – Avengers: Doomsday (Theaters)
December 18 – Dune: Part Three (Theaters)
December 25 – Werewulf (Theaters)
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My Thoughts On Strange Darling And Blink Twice
It feels weird not to start this piece with our traditional intro, but it just doesn’t feel right to add it, either.
I have several disclaimers and CW/TWs to go through on this one, so bear with me.
First and foremost, CW/TW for r*pe, SA, SV, and all like topics.
Secondly, I’m going to have to spoil both of these movies to talk about the parts that bothered me. I’ll give you a warning/page jump as usual.
Thirdly, I want to be clear that I’m just a silly goose who writes about pop culture on the internet, but I just couldn’t shake my issues with one of these movies.
I feel like I’m in the minority on the parts that bothered me, but, for some reason, I feel compelled to share my thoughts.
Finally, I want to throw out my trademark disclaimer here:
Just because I don’t like a movie doesn’t make it bad, and just because I like a movie doesn’t make it good. Making a movie is hard and terrifying, and I give mad props to everyone on the cast and crew for doing it.
Alrighty, let’s dive in.
Last weekend, I unknowingly put myself into a double feature that shared some similar themes.
If I can tell a movie is going to have twists and turns, I try to go in with as little information as possible, and that’s what I did with both Blink Twice and Strange Darling.
While these movies are two completely different beasts, I feel like they have some similar themes that are portrayed in different ways and through different lenses.
I also think it’s worth noting that Blink Twice was directed and co-written by Zoe Kravitz, who is a woman, and Strange Darling was directed and written by JT Mollner, who is a man.
I know that some of you probably groaned because you think you know where this is going, but keep reading.
Before I start breaking these movies down, I want to be honest…
I’ve been extremely fortunate in my life to have never experienced any SV, and I have never been r*ped or SA’d.
Therefore, I’m not here to speak on behalf of any of those who have.
I can only speak to why some things in Strange Darling bothered me personally.
I can also discuss how I enjoyed Blink Twice, but for those who have experienced the heinous things depicted in the film, it might be inaccurate or triggering or offensive.
Again, I’m only speaking from my personal opinions.
Fair warning, I’m about to get into spoilers. Skip to the paragraph starting with “I could absolutely[…]” to avoid them.
In my opinion, Blink Twice is a solid installment of Good-for-Her horror.
I thought the humor was balanced where it should be and didn’t undercut the horrors that the women experienced on the island.
I believe it did a good job portraying how sometimes women in power are just as dangerous as men and/or can be just as guilty of victim shaming without villainizing all women/femme-presenting peeps.
Lastly, I thought the themes of wanting to forget trauma/forcing others to forget trauma were powerful and illustrated how victims of SA and r*pe are often told to “let it go” or to “move on.”
Again, I’ve never experienced either of those things, and I’m only speaking from things I’ve seen and heard in interviews and documentaries, as well as from people I know who have been through it.
However, on the flip side, I think there are a couple of spots where Strange Darling could’ve done better.
Before I get into the parts that bothered me, I want to say that there were things in Strange Darling that I did enjoy.
I think there are genuinely funny scenes.
I love the nonlinear way the story is told.
Hell, I love the overall concept.
But, there are a few scenes/pieces of dialogue that keep this movie from getting my approval.
The first thing that bothered me was a piece of dialogue between The Lady (Willa Fitzgerald) and The Demon (Kyle Gallner).
When they’re having a conversation about consent, The Lady makes a comment about how even if “[she says] no, it means yes.”
Now, I totally respect if two consenting adults want to engage in rough sex/role play and keep an open line of communication amongst themselves.
But, I do think it’s a dangerous line to throw out because consent CAN change.
Yes can become no, even if you’ve consented before.
And, to be fair to JT Mollner, The Lady does tell The Demon this exact thing when he begins to put handcuffs back on her in a previous scene.
I don’t know how to feel about that scene, though, because it first appears that The Demon is trying to SA her/begins engaging in SV, only for us to find out that this is role play that he and The Lady both consented to.
It’s a gray area for me because it’s initially presented as non-consensual, so I’ll let y’all make the call on this one.
The other scene that really bothers me in Strange Darling happens toward the end of the film.
After the big reveal of The Lady* actually being the serial killer and The Demon* being her attempted victim, The Demon finally tracks her down and handcuffs her to the freezer she was hiding in.
*For context, we find out that her serial killer moniker is The Electric Lady and that he’s called The Demon because The Lady sometimes sees demons instead of people, hence why she kills them.
After The Lady kills The Demon, and she hears the cops arrive, she pulls down her pants and underwear to emulate r*pe.
A male and female cop arrive on the scene as The Lady screams and cries.
The male cop says that they need to figure out what’s going on before unlocking her handcuffs, but the female cop immediately begins comforting The Lady and tells her partner that it’s clear what happened.
This scene bothers me for a couple of reasons.
First and foremost, I don’t like the “cry wolf” connotation of this scene.
I believe the vision here was to further villainize The Lady by showing that she’s willing to stoop to new lows to avoid capture.
However, I think there are other ways the same idea could’ve been conveyed without this connotation.
Secondly, I don’t like how they show a male cop operating from a place of rationality while the female cop operates from a place of emotionality.
We should absolutely believe victims. 100%.
But, the way the female cop reacts is a bit demeaning.
It also rubs me the wrong way for her to believe that The Lady was r*ped, only to be proven wrong.
The whole thing just doesn’t sit right with me.
Now, do I believe that JT Mollner had any malicious intent with these scenes?
I don’t.
I think these scenes were meant to drive home how brutal The Lady is/was.
However, I also don’t know JT Mollner’s background or history, so I don’t want to speculate about his experiences.
He might have done a lot of research and/or know victims of r*pe or SA that weren’t triggered by this scene or the writing.
And, to be honest, I have to say the same for Zoe Kravitz. I don’t know her background and history.
Again, this is just how those scenes made ME feel.
I could absolutely be in the minority here, but, as a reviewer, it’s my role to give my honest assessment of a movie.
And my honest assessment is that those scenes really bothered me.
I’d like to drive this point home one more time: I’ve never experienced the horrific things depicted in Blink Twice or Strange Darling.
These movies may be triggering or offensive to those who have, so I highly suggest looking up CWs and TWs before watching either movie.
Blink Twice also has a disclaimer at the beginning of the film, and I wouldn’t take it lightly.
Additionally, I don’t want to overlook the fact that men/masculine-presenting peeps are also victims of SA, SV, and r*pe.
I don’t really know how to end this one, so I’m going to end it with some resources.
Take care of yourselves out there, and take care of each other whenever and wherever you can.
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“Who’s That Wonderful Girl?”: The Pop Culture Phenomenon Of Nanalan’
Hello, Movie Mavens! Welcome back to the B Movies Blog. Today, we’re popping Nanalan’ into the ol’ VCR.
If you’re anything like me, you’ve become obsessed with the world of Nanalan’.
Mona and Russer are both BIG MOODS, and watching all of the reels, lives, and episodes of Nanalan’ brings me unparalleled joy.
If you’re unfamiliar with Nanalan’, let me give you a little primer (hate the movie, but love the word).
Nanalan’ is a children’s show that focuses on three-year-old Mona, who stays with her Nana while her mother works.
Nana teaches Mona various life lessons with the help of her Jack Russell Terrier, named Russell, who Mona calls “Russer.”
Nana’s neighbor, Mr. Wooka, also puts on puppet shows in his backyard for the trio that usually align with the theme of the episode.
The vibe I bring to the function
Nanalan’ started all the way back in 1999 with its creators, Jamie Shannon and Jason Hopley, voicing Mona and Nana, respectively.
Much like The Adventures of Pete & Pete, the series began as a series of shorts that would eventually turn into a season of full-length episodes.
Unfortunately, it seemed as though Nanalan’ would be lost to the masses mid-aughts, as a result of Nickelodeon passing on another season.
The crazy part is, it was well-received by critics.
Heck, it even won two Gemini Awards.
But, as we know all too well, networks sometimes don’t listen to critics and/or viewers and get cancellation happy.
The good news is, this story has a happy ending.
If this image doesn’t thaw your cold, dead heart, I don’t know how to help you
Nanalan’ saw a massive resurgence in popularity at the end of 2023, thanks to TikTok.
And, honestly, the rest is history.
Nanalan’ is all over social media, and the creators have reprised their roles for Instagram Lives and Reels.
The Nanalan’ YouTube channel drops shorts and full-length episodes weekly.
Nanalan’ has even reached the likes of Hot Topic, and I’ve never bought a shirt so quickly in my entire life.
I think Nanalan’ made a resurgence when we needed it most.
The world is horrifying, and if the puppets of a little green girl, her grandmother, and a saucy Jack Russell Terrier are bringing us joy, I say we embrace it.
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DíDi Is An Excellent Coming-Of-Age Story Plucked From The Days Of MySpace
Hello, Movie Mavens! Welcome back to the B Movies Blog. Today, we’re popping DíDi into the ol’ VCR.
When I saw the trailer for DíDi, I immediately added it to my list.
I love coming-of-age movies, and I figured that, at worst, it would simply be a fun watch.
However, I’m pleased to say that it’s going to be an honorable mention on my favorite movies of 2024 list.
This movie encapsulates the zeitgeist of 2008 so well, down to the Hot Topic shirts and social media.
It’s also not just a movie; it’s a love letter to kids who were trying to find themselves while navigating the difficulties of adolescence and a complicated home life.
But first, let me back up.
For those unfamiliar with this movie, DíDi follows Chris (Izaac Wang) through the summer of 2008, aka his last summer before high school.
DíDi really hit me hard because during the summer of 2008, I was right between Chris and his sister, Vivian’s (Shirley Chen), ages.
I was going into my junior year of high school and thought I knew everything, so I was par for the course.
Additionally, I know what it’s like to grow up in a complicated household.
But, my personal connection to the material aside, Dìdi is just a really good movie.
Not only are Izaac Wang and Shirley Chen wonderful, but I can’t rave about Joan Chen’s performance as their mother enough.
There are multiple scenes throughout this movie where she either monologues or is in a heated conversation with Nai Nai (Zhang Li Hua), her mother-in-law/the kids’ grandmother, that are Oscar worthy.
I know that coming-of-age movies all tend to have some sort of vulnerable moment(s), but Dìdi is raw in a way that we don’t see all that often.
It also doesn’t just focus on the kids of the movie; we get direct insight into their mother’s vulnerabilities as well.
Chungsing (Joan Chen) is trying to raise two kids while her husband works overseas.
Her mother-in-law lives with them and constantly criticizes her every move (which I also saw growing up, as both of my grandmothers were harsh to KP).
She’s an aspiring artist but can never seem to gain any traction in her career.
She’s not the two-dimensional mother who only lives in the kitchen and says, “You kids have fun!”
Chungsing is also trying to find herself and navigate adulthood, just like Chris is with adolescence.
Now, my one complaint with Dìdi is that there are several gay jokes and instances of the f slur.
I understand this was commonplace in 2008, but I don’t know if we necessarily need to emphasize/revisit that part of the past.
Overall, Dìdi is a wonderful coming-of-age film.
If you enjoy the likes of Eighth Grade, definitely check this one out.
P.S. Major shoutout to Alamo Drafthouse for including Nathan Fielder’s YouTube video, “dance,” in their preshow because I forgot it existed.
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Drawing A Blank #3: Even, Even More Cartoons You May Have Forgotten About
Hello, Movie Mavens! Welcome back to the B Movies Blog. Today, we’re popping more cult-classic cartoons into the ol’ VCR.
After the second entry of Drawing A Blank, I went down a big ol’ rabbit hole.
That means we’re not only back with a third edition of Drawing A Blank, but, at the rate I’m going, there will be at least two more.
Hold for applause.
We have some fun ones today, and I’m so excited to share them with you (and listen to a bunch of theme songs I haven’t heard in years).
Alrighty, that should do us for introductions
Without further ado, here are 10 cult-classic cartoons that’ll make you crave a Snapple Rain and Kudos bar:
Ace Ventura, Pet Detective
Video source: blaa6
Mary-Kate and Ashley In Action!
Video source: Dalton Barron
Street Sharks
Video source: SkullyTheHypnoSkull
Bobby’s World
Video source: Give Me My 80s Cartoons
101 Dalmatians: The Series
Video source: Disney Television Animation News
Taz-Mania
Video source: FungManHin
Little Bear
Video source: Little Bear – Official
Franklin
Video source: RebelToonz
My Life as a Teenage Robot
Video source: Nicktoons
Teamo Supremo
Video source: GalaxyUnicorn
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The Real Blog Is The Friends We Met Along The Way: Coming-Of-Age Movies
Hello, Movie Mavens! Welcome back to the B Movies Blog. Today, we’re popping coming-of-age movies into the ol’ VCR.
Picture it…
You and your friends discover a body or start a small business right as you enter your teenage years.
Through these shared experiences, you and your friends feel like conquering adolescence can be possible.
However, you might also experience some conflicts along the way.
There are also a lot of firsts… first kisses, first heartbreaks, and first…divorced parents.
But, by the time the credits roll, you feel like you’ve all grown together, even though only a short time has passed.
That’s right, friends.
We’re talking about coming-of-age movies.
Whether you love ‘em or hate ‘em, we’re still going to recommend some.
So, grab your best friends and bikes, and pray you are blessed with a good actor to play the adult version of you narrating the story.
Without further ado, here are 10 movies to watch after realizing that we’ll never be the same after that summer:
- My Girl
- Boyhood
- Lady Bird
- Booksmart
- The Sandlot
- Stand By Me
- Eighth Grade
- Spontaneous
- Now and Then
- The Baby-Sitters Club
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Judy Is The Cat’s Meow: A Spotlight On Judy Greer
Hello, Movie Mavens! Welcome back to the B Movies Blog. Today, we’re popping the work of Judy Greer into the ol’ VCR.
On July 20, 1975, Judith Therese Evans was born.
But you probably know our girl better as Judy Greer.
I don’t have as much biographical info on Judy Greer as I’ve had for other actors we’ve done spotlights on, but I did find out that she did theater in high school and graduated from theater school.
I also found out that her mom was allegedly asked to leave a convent because of a wild streak that included such transgressions as purchasing a red swimsuit.
Judy Greer had one hell of a breakout role as Fern, aka Vylette, in Jawbreaker. Like, c’mon.
Since then, she has gone on to play a plethora of iconic characters in a plethora of iconic movies and shows.
Now, there’s not much more that I can say about Judy Greer that hasn’t already been said.
Judy, if you ever read this, thank you. 🖤
Without further ado, here’s some of my favorite Judy Greer content:
- Archer
- 27 Dresses
- Jawbreaker
- 13 Going on 30
- Arrested Development
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Drinking Up The Past: Remembering Liquid Television
Hello, Movie Mavens! Welcome back to the B Movies Blog. Today, we’re popping Liquid Television into the ol’ VCR.
For a long time, I’ve been synonymous with Bo Burnham and A24. However, I feel like MTV is making its way into the fold.
Yes, friends, we’re, yet again, covering another nostalgic MTV property: Liquid Television.
From 1991-1995, Liquid Television gave viewers an eccentric mix of animated segments and shorts, including some from a little creator you might know named Mike Judge.
That’s right, kids.
Liquid Television is essentially where Beavis and Butt-Head originated, not to mention the likes of Æon Flux.
The best way I can describe Liquid Television is like a mix of KaBlam!, The Nighttime Clap, and true 90s weirdness and nihilism.
I feel like you’ll either understand what I mean or you won’t.
Moving on.
If you read our Zoog piece, you’ll also remember that the Colossal Pictures peeps worked on Liquid Television.
That’s because Colossal Pictures actually produced Liquid Television, which I didn’t know. Learning!
Now, we’ve come to the unfortunate part of our program where I have to tell you that Liquid Television hasn’t aired since 1995.
I know, I know.
But, much like Daria, the episodes had so much licensed music that it would be impossible to show the episodes without either a) major cuts or b) major payouts to artists.
Which, um, I don’t know why the last would be an issue for MTV, but, um, here we are.
However, unlike Daria, I don’t think Liquid Television would hold up without all of the music.
Hell, an entire part of the premise was animating music videos.
You can find VHS and DVD copies with some of the episodes online from resellers, but all of the ones I saw were $60 and up, so I couldn’t justify taking the plunge.
The good news is, you can find most of the episode intact online.
The only catch is, some parts have had to be removed…which includes Æon Flux.
BUT, you can find episodes of Æon Flux online as well, so I give kudos to the Liquid Television MTV channel for uploading so much of each episode and taking the time to remove things, like Æon Flux, that would get the videos taken down.
I guess this *technically* counts as lost and refound media, but it also did have a physical release, albeit a limited release, so I don’t want to give it the title.
So, I guess we’ll just title this one good ol’ nostalgia.
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Incapacitated Influencers: Revisitng I Am Sophie And #NeverAlone
Hello, Movie Mavens! Welcome back to the B Movies Blog. Today, we’re popping influencer horror ARGs into the ol’ VCR.
As we all know, I watch a lot of YouTube.
Additionally, Instagram is my social media platform of choice.
Finally, we KNOW I love a good analog horror series and/or horror ARG.
With all this in mind, it should come as no surprise that I’ve had influencer horror ARGs on the brain lately.
And, in my mind, there are two big ones: I Am Sophie and #NeverAlone.
I did think about including Ash Vlogs, but I decided to tackle that in a different piece because it just doesn’t *quite* fit the vibe.
I also thought I would share with all of you an idea that I’ve come up with for an influencer horror ARG, with the promise that if any of you make it, you have to give me credit for the idea.
Now, there’s no possible way I can hit every single piece of these ARGs, so I’m going to give you a generic overview of each. BUT, I will link Night Mind’s series on in the I Am Sophie section.
That way, if you want a more thorough look into the series, you can curl up on the couch with your popcorn and dive in like I did.
Additionally, I’ll link the full Instagram account for Cassandra Clemm in the #NeverAlone section, so you can take a look for yourselves. My only disclaimer is that I’m not sure exactly how much of the ARG is still up.
Alrighty, that should do us for introductions and disclaimers.
Without further ado, may I present to you, I Am Sophie and #NeverAlone:
I Am Sophie
When the first video on the I Am Sophie channel dropped back in 2020, it was clear that something was afoot…and that something would become a rollercoaster of a horror ARG. The first few entries of the series are GREAT. Seriously, I have no notes. In fact, creator Tom Ransom even created a cut to send to film festivals, and it looks like it won first place at one in Rhode Island.
I would argue that the first half to the first two-thirds of I Am Sophie are wonderful. I love the concept of a stereotypically wealthy and out-of-touch influencer being chased down by a personification of the negative side of the internet, as well as his possessed lackeys.
However, once we start getting deep into the Simon stuff, I feel like we lose the plot. I love the whole idea of Lana, but I just feel like the ending leaves something to be desired.
In Tom Ransom’s defense though, I feel like maintaining a series of this caliber was extremely time-consuming and difficult. As a, deep sigh, creator myself, I can feel the burnout, and I just film one video a week. I can’t imagine how crazy it must’ve been to bring something like this to life.
The I Am Sophie channel is still up, as is her Instagram account, and I highly recommend checking both of them out. Also, as I mentioned earlier, Night Mind covered the series at length, so I recommend checking out his synopsis as well.
Video source: Night Mind
#NeverAlone
The whole #NeverAlone ARG is a wild one. Cassandra Clemm’s account started out just like any aspiring influencer’s. She posted artistic pictures of herself with coffee, in different outfits, and throughout the day. However, through comments, captions, and uploads, it became very clear that something sinister was lurking just beneath the surface…and Cassandra’s mental health might be deteriorating before our very eyes.
The minds behind #NeverAlone were revealed to be Chloe Cole (who played Cassandra), Sabina Friedman-Seitz, and Anna Miles. And, much like Tom Ransom and Co, they compiled everything into a horror short called Zenith that made its way into the 13 Minutes of Horror Film Festival.
My ARG Idea
Okay, so I’ve been noodling an idea for a long time, and I think it has some legs.
Picture it:
Claire (I’m not married to the name) is a mommy vlogger who posts videos with her kid regularly. Suddenly, she starts uploading more traditional influencer content (sans kid) like GRWMs, travel vlogs, you name it.
People start asking her where her kid went, and Claire has no idea what we’re talking about. She has no recollection of being a mom, and there are no indicators of any children in her home. Nothing.
Also, similar to EverymanHYBRID, she can’t see certain uploads.
However, after a viewer sends her one of the videos, Claire goes on a mission to find the child she can’t remember and to try to return to a life that may or may not be hers.
I feel like there’s the potential to involve other YouTubers, provide a lot of commentary around the influencer community, etc…
I haven’t quite fleshed out what the big bad is, but again, I think there’s something here.
And, if one of you makes it, you have to credit me and somehow involve the B Movies Channel in some capacity.
That’s all I ask.
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32 Years, 32 Movies: Movie Recommendations For Each Year I’ve Been Alive
Hello, movie mavens! Welcome back to the B Movies blog. Today, we’re popping 32 of my favorite movies into the ol’ VCR.
As many of you know, tomorrow is my 32nd birthday.
Last year, we rang in my birthday with 31 of the movies that made me.
I was trying to figure out what to do this year, and, to be honest, I was initially stumped.
My original idea was to list out 32 of my favorite movies.
But, a) I feel like I’ve shared a lot of my faves with y’all already and b) it started to become a similar lineup to last year.
Then, genius struck.
Instead of listing some of my favorite movies, I’m going to list a movie recommendation from each year I’ve been alive thus far.
Is it putting more work on myself?
Absolutely.
But when has that ever stopped me from doing something?
I’m also going to try to stray away from some obvious pics, i.e. Scream for 1996, The Blair Witch Project for 1999, etc…
Also, since these are movies I’m picking off the fly, I can’t be as thorough with the CW/TWs.
I HIGHLY recommend researching all of these movies before watching them.
Alrighty, that should do us for introductions and disclaimers.
Without further ado, here are 32 movie recommendations for each of my 32 years:
1992: Twin Peaks: Fire Walk with Me
1993: Needful Things
1994: Serial Mom
1995: Tank Girl
1996: Fargo
1997: Clockwatchers
1998: SLC Punk
1999: Dick
2000: O Brother, Where Art Thou?
2001: Get Over It
2002: Crossroads
2003: Mystic River
2004: Eternal Sunshine of the Spotless Mind
2005: Elizabethtown
2006: Stick It
2007: Juno
2008: The House Bunny
2009: Whip It
2010: Black Swan
2011: Sucker Punch
2012: Chastity Bites
2013: Cheap Thrills
2014: Frank
2015: Green Room
2016: Found Footage 3D
2017: Baby Driver
2018: Slice
2019: The Farewell
2020: Uncle Peckerhead
2021: V/H/S/94
2022: X
2023: No One Will Save You
2024: Challengers
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Eat Your Heart Out, Emily: A Spotlight On Ashley Park
Hello, Movie Mavens! Welcome back to the B Movies Blog. Today, we’re popping the work of Ashley Park into the ol’ VCR.
On June 6, 1991, Ashley Park was born.
And, it seems she was born to perform.
Starting dance lessons at three and piano lessons at five, Ashley Park was basically a star from a young age.
Her love of performing would continue as she grew up, as she participated in her middle and high schools’ choir and theater programs. She even founded an a capella group at her high school.
Unfortunately, in the 10th grade, Ashley was diagnosed with acute myeloid leukemia. The disease forced an eight-month long hospitalization, but she underwent treatment, eventually going into remission.
HELL YEAH.
During her hospitalization, the Make-A-Wish Foundation helped her and her family go to New York and see several Broadway shows, which is where it seems her passion for musical theater skyrocketed.
In 2014, Ashley made her Broadway debut in Mamma Mia!
Over the years, she’s starred in several musicals, including Mean Girls as the iconic Gretchen Wieners. She’s also been nominated for and received several awards for her performances.
In 2019, Ashley was cast in Emily in Paris, and the rest is history.
The only other thing I want to mention is that late last year, Ashley had septic shock, and, because she’s a badass, made a full recovery.
There’s not much more that I can say about Ashley Park that hasn’t already been said.
Ashley, if you ever read this, thank you. 🖤
Without further ado, here’s some of my favorite Ashley Park content:
- Beef
- Joy Ride
- Girls5Eva
- Emily in Paris
- Mean Girls (2024)
- Only Murders in the Building
B Movies Blog 